Of Vultures and Vent Covers

Imagine a planet with no large carrion eaters. Animals die, and their bodies sit undisturbed. They bloat. They rot. They pile up until the dead overwhelm the living with stench and disease.

Once upon a time, this was true for human society. We gave birth to massive machines and titanic towers, but childish creators that we were, we made a world without vultures. As the mouldering remains of our endeavors threatened to bury us, we created a savior to eat away the corpses that fouled our air and our water. Vulturecorp was born of humanity’s need, and it soared across the galaxy, stirring our bones and giving us new life. Any abandoned human working was their carrion, and everything they took was given new purpose and sold virtually at cost.


Brigadoon was first built to house workers for some ancient mining corporation. When every planet in the star system had been consumed, they departed, leaving behind this one barracks. Hundreds, or even thousands of years later, Vulturecorp found the ancient relic, and shaped it into a modern Lodginghouse with a station-length Mattersmith Matter Forge, and even an “Outdoor Recreation Area”.

Their work was excellent, and their parts well made. Embala knew all of this, of course, and felt sincere admiration for the company. Even the covers for the ventilation system showed the care with which Vulturecorp did their work – sturdy, easy on the eyes, and each one as good as the next. She was very sure of this last point because what looked like every single vent cover in the station was sitting, neatly wrapped, on the three pallets in front of her.

She touched one of her ear studs to activate her com.

“Bran.” There was a brief pause, then Bran answered.

“What’s up?”

“Can you see an air vent from where you are?”

“Yeah, I think- Oh! That’s odd! There’s no cover – just an open duct.”

“I had a feeling that might be the case.” Embala looked at the gaping hole at the bottom of the wall next to her, and muttered, “they didn’t even put them on the vents in the delivery bay.”

Louder, she said, “Ok, thanks for checking, Bran. Happy baking!”

“You too. I mean… Yeah.”

A smile tugged at her lips as she tapped her ear again.

“Eagun.” Pause.

“Embala, my friend. What aid might I give you on this lamentable day?”

She blinked.

“Um… Is something wrong?”

“Since the rising of the sun, I have pursued my duties across our hollow home, and what do I find?”

“No vent covers?”

“Not one! Surely, I thought, it couldn’t be the whole station! How could I have been so hopelessly optimistic? Truly this new drudgery stands as a solemn reminder – never give in to hopes for a better future! Always prepare for worst!”


“And only think! The dread beasts that Mattersmith and the Spider God brought aboard could discover this error! They could find their way anywhere! Even my own chambers! I was able to construct a barrier there for the time being, but I fear it is only a half-measure. We must get vent covers, Friend Embala!”

“They’re in the delivery bay, Eagun. Do you want help putting them up?”

“No, this burden falls to me. In truth, it is better so, for I must inspect every millimeter of this, our only shelter from the horrors of space. I shall bear the covers with me as I go, and leave them in my wake as an assurance of my inspection.”

“Ok, that sounds-”

“They shall be a seal! A promise of clean air and sturdy walls!”

“Sounds good, Eagun!”

She ended the call. Brigadoon’s custodian was unlike anyone she had ever met, and she would be working closely with him. Less than a week since their arrival, and it was already clear that managing Brigadoon would be very, very unlike work at the comfortable Lodginghouse she had helped her parents run.

Embala laid a hand on the wall by the pallets, calling a console into existence under her fingertips. She opened her favorite wallpaper, and turned to look at the rest of the delivery bay as the program loaded. Suddenly she was back in the little square in front of her childhood home on Ilgai. The early morning sun peeked through the forest of towers that was downtown, and a soft, silent snow was falling. She reached out her hand and let the flakes pass through it to add to the intangible dusting on the floor.

There was a soft thump behind her and she spun to see what caused it. Erwin the cat had appeared out of nowhere to pounce on one of the illusory snowflakes. He now squatted, front paws outstretched and tail lashing as his gaze jerked from flake to falling flake. Embala walked over and stooped to pet him.

“Hello, little one! I’m glad you like my home!”

He sniffed her hand, and the curled his paws in to sit, loaf-shaped, watching the snow. She scratched him behind the ears and the soft rumble of his purr started.

“I suppose Brigadoon is home now, for both of us.” She sat next to the cat, her back against the pallet of vent covers.

The purr continued. Embala glanced down at him.

“Easy enough for you, I suppose. Gregg has had you traveling all over the galaxy, but this is my first time off my home planet.”

He looked up at her, stood, and left the way he came, vanishing through the wall of a nearby building. Embala frowned.

“Stop projection.”

The wallpaper vanished in time for her to see a dark, plush tail vanishing into the open air vent.

“You’re not making our lives easier,” she called after the cat, and then added to herself, “at least we have time to close the vents before lodgers start showing up.” She leaned her head back and said, “Resume projection.”

Ilgai re-appeared, and the snow started falling again.


There, ahead of the ship it lay! Brigadoon, enchanted refuge at the edge of space! Brigadoon, whose glimmering form lay ahead of us, given a misty halo by the Carina Nebula! And my hands did sweat as the ship docked, and my hands did tremble as I opened the door and stepped forward into a new world.

And then did Ariadne, dark of eye and dark of humor elbow me aside, saying,

“Could you not stand in the doorway? We’ve got shit to move here!”

Downcast I stood aside, and let our own lightning elemental sweep by, searing the world around her as she fled for the wires and conduits that welcomed her rage.

Then did Ebb Spacedragon, steadfast and true, roll forward in her gleaming carriage and lay a hand upon my shoulder. Strength flooded into me once more as she gazed upon me and said,

“I don’t think she even remembers her first time on a space station. Take your time, and if you’re still mad about it, put something snippy in the blog.”

And then she was gone, rolling down the jetty, followed by our chuckling comrades, and then by me. All of us were hushed as we entered the vast hall into which the jetties led, and the silence of ten thousand tons of empty rooms and hallways washed over us. My heart racing, I walked to the dormant fountain that ran the length of the room, slumbering in wait for us. I ran my hand along the smooth stone as I felt the vastness of our home spreading out around me.

Then pain! Fearful, stabbing pain, like needles in my hand. I cried out and leapt away from the cursed fountain, glancing back in terror at the source of my torment. There, crouching upon the stone was a dread beast, with daggers for teeth, and needles for claws, its tail lashing as its evil, slitted eyes gazed up at me.

“Gregg,” I cried. “Did you not swear your furry pets would leave me be? Were they not to remain in your room where they would not shed everywhere?”

“Sorry, Eagun, I just felt like they deserved a chance to explore too, yeah?”

“The pact,” said I, “has been broken, and now there will be much difficulty ere we can repair it!”

“You know damned well I never agreed to keep them locked in my quarters. Don’t worry, I’ll help with keeping the place fur-free. I don’t want any getting into the reactor center. You’d be surprised how much damage a decent tuft of fur can cause.”

“I dare say,” I replied, “but can it even be done? Some surprises are best left in the imagination!”

“I’ve had cats in space stations for years. We need positive pressure in the center anyway to keep any other contaminants out. Don’t worry. I know what I’m doing.”

And with that he was gone, his belongings floating after him.

“We all know what we’re doing!” cried Lisa. She approached the dread beast and sat on the fountain next to it. “That’s why we’re here, right? Eight, Ebb, and Gregg put a lot of thought into who it would take to run this place! I’m so excited to get started!” She held her finger before its fanged maw with reckless courage as it craned its neck up, and ran the side of its face along her long, silver nail. “Honestly Eagun, I know we haven’t known each other very long, but I can’t believe you don’t like Erwin! He’s such a friendly kitty!”

“Spare me your hollow cheer, Provisioner Tambridge. Not only will my first expedition into space be plagued by vicious beasts, but I will assuredly die in a fur-fueled conflagration, far from any world I’ve known.”


“Why, O Why,” I sighed, “could our Mattersmith not have had sensible, furless, sessile pets like Good Anansi?”

“I like you, Eagun, but don’t drag me or my teachers into this,” said Anansi, and he crept through a doorway and down the hall to his new lair.

With grins suppressed and eyebrows raised, my companions followed, leaving me alone with my thoughts. The beast rolled before me in the fountain, displaying its fearsome armaments as it stretched out on its back.

“And so,” I said “Begins our new life on Brigadoon, Space Station in the Mists!”

Brigadoon, Chapter 1

There, ahead of the ship it lay! Brigadoon, enchanted refuge at the edge of space! Brigadoon, whose glimmering form lay ahead of us, given a misty halo by the Carina Nebula! And my hands did sweat as the ship docked, and my hands did tremble as I opened the door and stepped forward into a new world.
And then did Ariadne, dark of eye and dark of humor elbow me aside, saying,
“Could you not stand in the doorway? We’ve got shit to move here!”
Downcast I stood aside, and let our own lightning elemental sweep by, searing the world around her as she fled for the wires and conduits that welcomed her rage.
Then did Ebb Spacedragon, steadfast and true, roll forward in her gleaming carriage and lay a hand upon my shoulder. Strength flooded into me once more as she gazed upon me and said,
“I don’t think she even remembers her first time on a space station. Take your time, and if you’re still mad about it, put something snippy in the blog.”

If you want to read more, you can head over to my patreon to get access, and to see what else you’ll be supporting!

Harbinger of things to come

After my long silence on this site, I’m happy to announce that my circumstances have changed, and there’s going to be a lot more traffic here. As of yesterday, my own writing is now my only means of income, so you’ll be seeing a lot more of me. Some of that will be here, but a majority of it will be over on my blog, Oceanoxia.

Part of my Patreon rewards setup is an ongoing science fiction series following the adventures of a group of friends who bought a fixer-upper space station from VultureCorp, Custodians of the Galaxy. Starting on July 1st, there will be daily updates for my $5+ per month patrons as the crew of Brigadoon manage their outer space B&B in an ancient mining company barracks station that was left behind by the miners for some unknown reason.

Beyond the main story, which will occasionally have free chapters available here, there will also be other content from the various people staying at Brigadoon, and much of that content will be available at the Brigadoon Guest Registry.


Halloween was just the beginning.

I was raised on Tolkien. Every year around Christmas, in addition to reading Dickens’ A Christmas Carol, my family would also read a few of the Letters from Father Christmas that Tolkien wrote for his own children. For those who aren’t aware, Tolkien wrote a series of letters to his children claiming to be from Father Christmas. The letters contain all sorts of stories and illustrations about the goings-on at the North Pole, the antics of the North Polar Bear (the official one), what the elves that worked for him were up to, and so on.

It was these letters, more than The Hobbit or The Lord of the Rings, that formed my view of goblins. The ones that Father Christmas dealt with were similar to the goblins of The Hobbit, but smaller, and in my opinion a bit stranger. I couldn’t make myself watch more than one of the new Hobbit movies, but the goblins shown in the first one were one of my favorite parts of all of Peter Jackson’s interpretations of Middle Earth. The creatures shown were all goblins, but they ranged in size from the massive king, to the little cackling messenger on a zipline. They were spooky and menacing and above all, they were downright weird!

For me, goblins are like aliens that come from below, rather than above. They’re as much a part of our world as we are, but just as we are at home in the light of day, they are at home in the darkest places of the Earth. Maybe that’s why I see them as embodying strangeness. To be a goblin is to be at home in a world that fills humans with the terror of the unknown. They come from that parallel Earth that gave birth to bats, goblin sharks, and glowworms.

All of these things have familiar elements. Bats are rather like ordinary furry creatures in many ways, but they’re also radically different. The elongated fingers, strange faces and ears might be similar to those of our relatives the aye-aye or the tarsier (both good examples of goblins), but the skin webbing and ability to fly set them apart. They’re at home in a world that is pretty alien to us, and they look like it:

Image shows a Little Brown Bat hanging upside down from a cave ceiling. Its wings cover most of its body with its ears poking out past them.

Goblin sharks seem like normal sharks until they bite, and become something utterly different. They simultaneously seem more human, with a more defined chin and mouth under that long nose, and less like anything we’re used to :

GIF shows a goblin shark biting the armored arm of a diver. For an instant, the shark is a normal-looking, streamlined shark, and then the jaws distort, and lunge out of the shark's face, shooting forward to grab the arm in front of the shark's nose, as the rest of its body remains in place.

And then there are cave glow worms – in the light of day, they’re fairly normal insect larvae. Not pleasant to look at (for most of us), but not terribly interesting either. At home in the darkness, however, they form a glowing constellation across the ceilings of their caves, beautiful, but deadly for any insects that wander too close to the slimy strands hanging down below the lights. If they get caught, they’re reeled in by the worm, and devoured. Image shows a cave ceiling with blue glowing spots on it. Glowing, semi-transparent strands of silk hang down, diffusing the light and creating a beautiful effect, that is also deadly to any flying insects that wander too close.

In the world of goblins, light is dangerous. It lures you to death, or reveals you to predators. Autumn is the time when our world begins to be more like their world, for a little while.

As Halloween arrives, the trees are losing their leaves, and the birds are flying south, and the light that we value so much is fading day by day. October 31st has come and gone, and America will now be obsessed with Christmas for the next couple months (with a passing nod to Thanksgiving), but that is just a distraction from the truth.

As the last glow of the sunset fades, night is only just beginning. Halloween has passed, and now night is really coming. The long darkness and cold has driven the goblins with which we have become familiar into hiding. Now is the time for the goblins that we don’t know about – the ones that revel in the cold darkness beyond the edge of our fire light.

Halloween was just the beginning.

Image shows snowy ground fading into darkness. Just beyond the edge of the light, several pairs of glowing eyes can be seen, with the faintest suggestion of a wolf's muzzle under the largest pair.

Exits and Entrances is now available!

I’m pleased to announce that my first novel, Exits and Entrances is now available in paperback and e-book formats on Amazon.com! This is the culmination of years of writing, learning, and re-writing, and I’m delighted to have it out!

My publisher described the book as a metaphysical fantasy, and I think that’s a good fit for it. This novel is the first of a trilogy, with book two well underway. I invite you all to read it, and to tell your friends about it.

He had once climbed the stairs of the Empire State Building, and that didn’t take half the time he was spending on these. Anthony was also fairly certain that he knew of no buildings with black marble stairs of such great width. He couldn’t see the walls on either side of him now, just darkness.

Wisps of pale green mist gathered around him, glowing faintly without lending any light to their surroundings. Anthony paused to look back. The stairs behind him were a well of darkness out of which reached faint tendrils of the luminous fog.

After what seemed like hours, he reached a door. It was unquestionably a door. Anthony was utterly certain that it was a door, but he couldn’t tell if it was a normal roof exit door, or a huge wooden door with wrought-iron hinges, or a house door, or a gate. It seemed to be all doors at once. Not flickering exactly, but not remaining in one guise either. Anthony realized that all the doors he had ever seen in his life were merely imitations or reflections of this door. Leaving such a door closed was not an option. Mouth dry and hands sweating, he opened it and stepped through.


Cover art description: A theater with the front two rows of seats visible. There are three stage doors, with a strip of thick blue curtain above them, forming a top frame for the stage. The one on the left opens not to backstage, but to a seascape, with a few seaweed-covered rocks, and a couple flying seagulls. There are some clouds in the sky. The waves are sloshing through the doorway onto the stage, and the water is running down the left side of the stage into the audience. There is one seagull standing on the stage, looking across it. The middle door opens to a hot desert, with distant mountains beyond the dunes. Some of the sand has blown through the doorway onto the stage, extending one of the dunes through the doorway. The third door, on the left, opens to a field at night, with a few flowers in the grass. Not far from the door, the grass meets a body of water, with moonlight reflecting off of it. Beyond the water, is more grass, and a few trees. The night sky in the lefthand door has a moon and clouds, with stars above them. The stars climb up the side of the picture, fading over the strip of curtain, and into a space-scape over the whole picture. Sheets of green aurora light mingle with the stars on the right, and toward the left there are two spiral galaxies, and a glowing nebula.
Cover art by Darcy Drayton (Abe’s mother)

When Shakespeare wrote “all the world’s a stage”, nobody took it literally.

Anthony Ballrain knows that as well as anybody, but when his walk home from work takes him past a door he’s been dreaming about, he feels like it’s his cue to exit. Stepping through, he finds himself in a seemingly uninhabited world that has only a casual relationship with reality. When he finally finds other people, they’ve already met him, and what’s more, they really, really don’t like him.

In a world where the impossible happens on a regular basis, Anthony is forced to confront a darker side of himself. Unfortunately, it’s getting harder for him to figure out just which side that is.

Publisher: Wandering in the Words Press